第四届琴台音乐节闭幕式·郑明勋与德国德累斯顿国家管弦乐团音乐会
2015年11月10日 ，第四届琴台音乐节闭幕式·郑明勋与德国德累斯顿国家管弦乐团音乐会在 武汉琴台音乐厅 精彩上演。
基本信息
2015.11.10
武汉琴台音乐厅
以现场为准
以场馆规定为准
演出详情
演出介绍
● 德累斯顿国家管弦乐团：世界十大著名交响乐团之一，世界上最古老的管弦乐团之一，迄今为止唯一一个被授予"欧洲奖世界音乐遗产"称号的乐团
● 郑明勋：当今世界上最著名的指挥家之一，亚洲三大指挥大师之一，德国留声机公司专属艺人
第四届琴台音乐节闭幕式：
郑明勋与德国德累斯顿国家管弦乐团音乐会
指挥：郑明勋
女高音：汉娜·伊丽莎白·穆勒
曲目：贝多芬：第二交响曲
马勒：第四交响曲
*曲目以现场演出为准*
19:30, Tuesday, November 10, 2015
The Fourth Qintai Music Festival Closing Ceremony:
Staatskapelle Dresden, Germany
Myung-Whun Chung, conductor
Hanna-Elisabeth Müller, soprano
Program: Beethoven: Symphony No.2 in D major, Op.36
Mahler: Symphony No.4 in G major
郑明勋，指挥
德累斯顿国家管弦乐团首席客座指挥。
郑明勋是当今世界上最著名的指挥家之一。自从2001年，他便与德累斯顿国家管弦乐团结缘，与乐团合作并指挥了一系列的音乐会、歌剧和巡演。
他出生在首尔，学习钢琴出身。他于1979年成为指挥大师卡洛·玛利亚·朱里尼的助手，在洛杉矶爱乐乐团工作。五年后，他相继担任萨布鲁肯广播交响乐团和巴黎巴士底歌剧院音乐总监，以及罗马圣切契里亚音乐学院乐团首席指挥。2000年，他回归巴黎，成为法国广播爱乐乐团音乐总监。除此之外，郑明勋也经常活跃在韩国和亚洲其他国家；近年来，他同时担任东京爱乐乐团艺术顾问和首尔爱乐乐团音乐总监。
郑明勋对当代的人道主义和生态问题极为关注，并为此投入了大量精力。他从2008年开始担任联合国慈善大使。作为乐团项目"郑明勋-梅西安"的一部分，他于2010年10月参与了与他亦师亦友的梅西安四重奏作品《时间的尽头》，同时还指挥了在森帕歌剧院演出的《图伦加利亚交响曲》。他成为德累斯顿国家管弦乐团2012/2013季度的客座指挥，确保了双方更加长久和密切的合作。
Myung-Whun Chung, conductor
Principal Guest Conductor of the Staatskapelle Dresden
Myung-Whun Chung is one of the most celebrated conductors in the world today. Since 2001 he has regularly collaborated with the Staatskapelle, conducting the orchestra in numerous concerts, opera performances and on tour.
Born in Seoul, he began his musical career as a pianist. In 1979 he became assistant to Carlo Maria Giulini at the Los Angeles Philharmonic Orchestra. Five years later he took up the reins at the Radio Symphony Orchestra of Saarbrucken, subsequently being appointed principal conductor at the Opera Bastille in Paris and the Accademia di Santa Cecilia in Rome. Since 2000 he has been music director of the OrchestrePhilharmonique de Radio France. In addition, Myung-Whun Chung actively nurtures classical music in his home country and other parts of Asia; currently he is artistic advisor to the Tokyo Philharmonic Orchestra and music director of the Seoul Philharmonic Orchestra.
Besides this, he is strongly committed to various humanitarian and ecological projects. Since 2008 he has been a UNICEF goodwill ambassador. As part of the Staatskapelle's "Chung-Messiaen Project", Myung-Whun Chung took part in a performance of the "Quartet for the End of Time" by his friend and mentor, Olivier Messiaen, in October 2010. He also conducted the composer's "Turangalila" Symphony in the Semperoper. The 2012/2013 season sees Chung assume the position of principal guest conductor to the Staatskapelle, thereby securing an even closer collaboration with the orchestra.
独唱女高音：汉娜-伊丽莎白·穆勒
汉娜-伊丽莎白·穆勒出生在德国的曼海姆，11岁起开始学习声乐，她在曼海姆音乐学院师从鲁道夫·皮尔内，并以独唱女高音身份毕业。她年轻有为就获得了一系列德国青少年音乐大赛的冠军等一系列奖项，同时获得了来自德国人民学业基金会和德国莱法州未来创意基金会的奖学金。2009年，她和钢琴家米哈艾拉·汤米一起参加恩斯赫德的国际艺术歌曲二重唱比赛，并获得头奖，以及现代作品规定曲目最佳表现奖和观众大奖。2010，她荣获德国经济文化界音乐大奖。次年，她不仅斩获了阿达·萨里国际比赛的第一名，此后她又接连的赢得了她所竞争的全部其余奖项，包括：莫扎特奖，艺术歌曲大奖和与波兰克拉科夫歌剧院和克拉科夫爱乐乐团合作的机会。
接下来她首先在莱茵斯堡室内歌剧院的格鲁克歌剧《奥菲欧与尤丽狄茜》中客座扮演尤丽狄茜。当晚她精湛的表演超过了舞台上的所有演出者，当年六月德国权威歌剧类杂志《歌剧望远镜》称她清晰又不失表现力的表演创造了当晚最令人感动的时刻。在2010/2011演出季，她成为巴伐利亚国家歌剧院的一员。在2012年，她首次登台在《罗马歌剧院》中饰演帕米娜一角，完成了她的处女座。随后的2012/2013演出季，她加入巴伐利亚国家歌剧院合唱团扮演了帕米娜、采琳娜、苏珊娜和赛维莉娅等角色，又在理查施特劳斯歌剧《没有影子的女人》中扮演门槛守护者，策姆林斯基歌剧《侏儒》中出色演绎了克拉拉小姐。在2013年，她以合唱团成员身份获得了慕尼黑歌剧节促进协会颁发的嘉奖。
在2014年，她被客邀作为萨尔斯堡复活节音乐节的嘉宾，和蕾妮·弗莱明和托马斯·汉普森在克里斯蒂安·蒂勒曼的指挥下首演轰动了全场。2015演出季中，她将参演菲利浦·乔丹在慕尼黑指挥的新制作理查德·施特劳斯的《阿拉贝拉》。此后她还将在阿姆斯特丹进行的马克·阿尔布雷希特指挥的施特劳斯作品-《玫瑰骑士》中出演索菲亚角色。
在歌剧演出之余，她也经常演出各类独奏会与音乐会。她同RIAS室内合唱团共同在安斯巴赫的巴赫音乐周演奏了巴赫的康塔塔、海顿的《创世纪》、贝多芬的《庄严弥撒》以及马勒的《第四交响曲》。她还在飞利浦·赫尔维格指挥的香榭丽舍乐团，赫尔穆特·里霖的俄勒冈巴赫音乐节以及米夏埃尔·桑德琳在斯图加特的欧洲音乐节上巡演。
2013年，她首次和罗宾·蒂恰蒂与班贝格交响乐团一起合作发行了一张布鲁克纳 F小调弥撒曲的CD。接下来的演出季中，她也被邀请作为客席女高音与德国科隆西德广播交响乐团在尤卡·佩卡·萨拉斯特的指挥下演出并录制勃拉姆斯的《德意志安魂曲》。
自从2011年在海德堡之春国际音乐节亮相后，她和朱利安·鲁夫一起被邀请到施韦青根音乐节演出，受邀爱乐乐团在科隆和安特卫普De Singel音乐厅演出。她将在下个乐季同汉斯勒唱片公司开始录制施特劳斯，贝尔格和勋伯格的艺术歌曲唱片，还将在莱茵声乐音乐节和埃森爱乐大厅举办艺术歌曲独唱音乐会，并再度光临海德堡之春国际音乐节。2013年始她加盟"新英才(New Talent)"，为期三年。这是西南德广播电台一档推介年轻艺术家的节目，在这期间她还将发行她的艺术歌曲唱片。
Hanna-Elisabeth Müller
Hanna-Elisabeth Müller was born in Mannheim and had her first singing lessons when she was eleven. The young soprano won prizes at the national music competition 'Jugend Musiziert' on a number of occasions and received a scholarship from the 'Studienstiftung des deutschen Volkes', from the Zukunftsinitiative Rheinland-Pfalz, the Yehudi Menuhin 'Live Music Now' Organization, the Paula-und-Albert Salomon-Stiftung, and the des Richard-Wagner-Verband Heidelberg. In 2009, together with the pianist Mihaela Tomi she won first prize at the Internationaler Lied-Duo-Wettbewerb in Enschede, as well as the prize for the best performance of the obligatory modern piece, and the audience prize. In 2010 she won the Musikpreis des Kulturkreises der deutschen Wirtschaft, which carries a substantial financial award. In 2011 at the International Ada Sari Competition she won not only first prize, but all the other prizes open to her at the event: the Mozart Prize, the Lied Prize and the opportunity to give concerts with the Krakow Opera and the Krakow Philharmonic Orchestra.
Hanna-Elisabeth Müller studied under Rudolf Piernay at the University of Music Mannheim, with whom she continues to work closely, following her graduation as a soloist. She applied the finishing touches to her training by attending master classes by Dietrich Fischer-Dieskau, Julia Varady, Edith Wiens, Elly Ameling, Thomas Hampson and Wolfram Rieger.
Following first guest performances as Eurydike in Gluck's Orpheus and Eurydice at the Kammeroper Rheinsberg - 'Eurydice outclassed everyone else in stage presence: With her clear, yet expressive soprano, Hanna-Elisabeth Müller created the most touching moments of the evening' Opernglas, June 2010 - she was a member of the Bavarian State Opera's studio during the 2010/11 season. In 2012 she made her debut at the Teatro dell'opera di Roma as Pamina. Since the 2012/13 season she has been a member of the ensemble of the Bavarian State Opera, where she can be heard in such disparate roles as Pamina, Zerlina, Susanna, Servilia or as Gretel, Hüter der Schwelle in Frau ohne Schatten and outstandingly as Infantin Donna Clara in Zemlinsky's Der Zwerg. In 2013, as a member of the ensemble, she received the Festival Prize of the Gesellschaft zur Förderung der Münchner Opernfestspiele (Society of Friends of the Munich Opera Festival).
In 2014 she was fêted as the discovery of the Salzburg Easter Festival for her sensational debut as Zdenka alongside Renée Fleming and Thomas Hampson under the baton of Christian Thielemann. In the new Munich production of Richard Strauss's Arabella under Philippe Jordan, too, she will be slipping into this role during the 2015 season, before making her local and role debut the following autumn as Sophie in a new production of Strauss's Rosenkavalier in Amsterdam, this time under Marc Albrecht.
The versatile young soprano is also a regular performer in recitals and concerts, if her busy opera activity leaves her enough time. Her concert repertoire reaches from Bach's secular cantatas to The Creation by Haydn to Beethoven's Missa solemnis or Mahler's Symphony No 4, all of which she performed at the Ansbach Bach week, with the RIAS Kammerchor, on tours with the Orchestre des Champs Elysées under Philippe Herreweghe, the Oregon Bach Festival under Helmuth Rilling and at the European Music Festival in Stuttgart under Michael Sanderling. In 2013 she worked for the first time with Robin Ticciati and the Bamberg Symphony Orchestra (Bruckner's F-minor Mass - a project that has been released on CD by Tudor). In the coming season, she will be a guest with the WDR Symphony Orchestra under Jukka Pekka Saraste (concerts and CD with Brahms's Ein Deutsches Requiem) and the Symphony Orchestra of Bayerischer Rundfunk under Sir Simon Rattle (Rheingold/Woglinde).
Since her lieder debut at the Heidelberger Frühling in 2011, she has been a guest with Wolfram Rieger at the Schubertiade Vilabertran, with Juliane Ruf at the Schwetzingen Festival, at the Philharmonie in Cologne, and in De Singel in Antwerp. She will be opening the coming season with a CD production (hänssler) with lieder by Strauss, Berg and Schoenberg. Lieder recitals will take her to the Rheinvokal Festival, the Philharmonie in Essen, and once again to the Heidelberger Frühling. Since the start of 2013 Hanna-Elisabeth Müller has been SWR2 New Talent, the title of the newly introduced promotion of young artists by the broadcaster Südwestrundfunk, which will accompany her for three years and also release her lieder CD.
德累斯顿国家管弦乐团
2008年9月22日，德累斯顿国家管弦乐团隆重庆祝460周年华诞。脱胎自1548 年萨克森公爵莫里茨创立的宫廷乐队，德累斯顿国家管弦乐团以近五个世纪的光辉岁月傲然于世，浸润和发扬着德国厚重而精深的音乐文化与传统，是世界上最古老的管弦乐团之一。在历史长河中，众多名垂史册的指挥家和演奏家先后见证了乐团的荣耀。
曾领帅乐团的指挥家包括早期的海因里希·舒茨、约翰·阿道夫·哈赛、卡尔·马利亚·冯·韦伯和理查德·瓦格纳等。无数音乐巨匠的言论佐证了乐团多姿多彩的历史，而其中瓦格纳集各感受大成，他亲切地称乐团为"我的安菲翁魔琴"，赞美乐团的声音一如宙斯之子安菲翁的竖琴之音，有着感化顽石、以乐筑城的神奇之力。近代百年，乐团陆续在恩斯特·冯·舒赫、弗里兹·莱纳、弗里茨·布施、卡尔·伯姆、约瑟夫·凯尔贝特、鲁道夫·肯普、奥特玛·舒特纳、库尔特·桑德林、赫伯特·布隆斯泰特、朱塞佩·西诺波利等卓越指挥家的历练下日渐臻致。乐团从2002至2004年由伯纳德·海廷克执掌。2007至2010年，意大利指挥家法比奥·路易斯任萨克森国家歌剧院及德累斯顿国家管弦乐团音乐总监。从2012/2013年演出季开始，德籍指挥家克里斯蒂安·蒂勒曼接任乐团首席指挥，英国著名指挥家科林·戴维斯爵士自1990年起担任乐团名誉指挥至今。而韩籍指挥家郑明勋从2012/2013年演出季就开始担任首席客座指挥。
在理查德·施特劳斯与乐团长达60余年的合作中，他的9部歌剧由乐团首演，其中不乏传世佳作《莎乐美》、《埃列克特拉》和《玫瑰骑士》。施特劳斯更是将生平最后一首标题交响诗《阿尔卑斯交响曲》献给了当时的乐团，并在1915年亲自执棒首演。
众多著名作曲家也曾纷纷向德累斯顿国家管弦乐团献曲，或将作品交由乐团首演。2007年，德累斯顿国家管弦乐团设立年度"驻团作曲家"一职，进一步深化乐团热忱支持新作品的音乐传统。2014/2015年度驻团作曲家为汉斯·维尔纳·亨策和沃尔夫冈·里姆，索菲亚·古拜杜丽娜。
森帕歌剧院作为乐团的根据地，每个季度会在这里举办大约260场歌剧和芭蕾舞剧，50交响乐和室内乐音乐会。此外，乐团在德累斯顿圣母教堂也会举办各种类型的音乐活动。
作为世界上最为著名最受欢迎的交响乐团之一，德累斯顿国家管弦乐团定期在国外声名显赫的古典音乐殿堂进行演出。在其艺术总监克里斯蒂安·蒂勒曼的带领下，德累斯顿国家管弦乐团从2013年便成为萨尔斯堡复活节音乐节留驻乐团。
在地方上，德累斯顿国家管弦乐团亦极为活跃：2008年10月起，德累斯顿国家管弦乐团成为友好城市格尔利茨-兹戈热莱茨"梅西安音乐中心"的支持与合作乐团；并于2010年9月协助举办了位于瑞士戈里施的国际肖斯塔科维奇音乐节，这是当地唯一致力于演奏肖斯塔科维奇作品的年度音乐盛会。
2007年在比利时布鲁塞尔德累斯顿国家管弦乐团成为第一个，也是迄今为止唯一一个被授予"欧洲奖世界音乐遗产"称号的乐团。
自从2008年起，大众汽车透明工厂便成为德累斯顿管弦乐团的合作伙伴。
The Staatskapelle Dresden
Christian Thielemann Principal Conductor
Myung-Whun Chung Principal Guest Conductor
On 22nd September 2008 the Staatskapelle Dresden celebrated its 460th jubilee. Founded by Prince Elector Moritz von Sachsen in 1548, it is one of the oldest orchestras in the world and steeped in tradition.
Over its long history, many distinguished conductors and internationally celebrated instrumentalists have left their mark on this one-time court orchestra. Previous directors include Heinrich Schütz, Johann Adolf Hasse, Carl Maria von Weber and Richard Wagner, who called the ensemble his miraculous harp. The list of prominent conductors of the last 100 years includes Ernst von Schuch, Fritz Reiner, Fritz Busch, Karl Böhm, Joseph Keilberth, Rudolf Kempe, Otmar Suitner, Kurt Sanderling, Herbert Blomstedt and Giuseppe Sinopoli. The orchestra was directed by Bernard Haitink from 2002-2004 and most recently by Fabio Luisi from 2007-2010. Principal Conductor since the 2012/2013 season has been Christian Thielemann. The first and only Conductor Laureate in the history of the Staatskapelle, from 1990 until his death in April 2013, was Sir Colin Davis. Myung-Whun Chung has been Principal Guest Conductor since the 2012/2013 season.
Richard Strauss and the Staatskapelle were closely linked for more than sixty years. Nine of the composer's operas were premiered in Dresden, including Salome, Elektra and Der Rosenkavalier, while Strauss's Alpine Symphony was dedicated to the orchestra. Countless other famous composers have written works either dedicated to the orchestra or first performed in Dresden. In 2007 the Staatskapelle reaffirmed this tradition by introducing the annual position of Capell-Compositeur. Following on from Hans Werner Henze and Wolfgang Rihm, Sofia Gubaidulina will hold this title for the 2014/2015 season.
The Staatskapelle's home is the Semperoper, where it performs around 260 operas and ballets each season. In addition the ensemble presents another 50 symphonic and chamber concerts in the opera house, as well as playing at various musical events in Dresden's Frauenkirche.
As one of the world's most celebrated and popular symphony orchestras, the Staatskapelle regularly travels abroad to the world's leading classical venues. From 2013 the Staatskapelle Dresden is the resident orchestra of the Salzburg Easter Festival, whose Artistic Director is none other than Christian Thielemann.
The Staatskapelle also does valuable work to support the local region: Since October 2008 it has been the patron orchestra of Meetingpoint Music Messiaen in the double city of Gorlitz- Zgorzelec. And in September 2010 the orchestra helped found the International Shostakovich Festival in Gohrisch (Saxon Switzerland), which is the only such annual event dedicated to the music and life of Dmitri Shostakovich.
At a ceremony in Brussels in 2007 the Staatskapelle became the first - and so far only - orchestra to be awarded the European Prize for the Preservation of the World's Musical Heritage.
Volkswagen's Transparent Factory has been a partner of the Staatskapelle Dresden since 2008.
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