法佐?赛依与瑞士巴塞尔交响乐团音乐会
2015年3月23日 ，法佐•赛依与瑞士巴塞尔交响乐团音乐会在 中山音乐堂 精彩上演。
基本信息
2015.03.23
中山音乐堂
以演出现场为准
以场馆规定为准
演出详情
瑞士巴塞尔交响乐团
2015年3月23日
北京中山公园音乐堂
票价：80、180、280、380、580
丹尼斯•拉塞尔•戴维斯，指挥
法佐•赛依，钢琴
作为瑞士历史最悠久的交响乐团，该国“三大交响乐团”之一，巴塞尔交响乐团有着欧洲当代音乐圣殿美誉。恰逢中瑞两国建交65周年之际，吴氏策划在2015年春天，再度邀请巴塞尔交响乐团为中国乐迷奉上至臻完美的艺术表现。届时，团将在其音乐总监、美国指挥大师丹尼斯•罗素•戴维斯的执棒下，为北京、上海两地观众描绘一幅从贝多芬、莫扎特到斯特拉文斯基的多彩音乐画卷。世界著名钢琴演奏家法佐•赛依也将加盟此次巡演。
乐团介绍
1876年创立，拥有近140年辉煌历史的巴塞尔交响乐团是瑞士乃至欧洲最负盛名的交响乐团之一。19世纪便有幸与勃拉姆斯、马勒等一批伟大作曲家、指挥家结缘，20世纪则承蒙老一辈指挥大师，如威尔海姆•富特文格勒、菲利克斯•魏因加德纳、奥托•克伦姆佩勒等人提点，成为欧洲交响乐艺术博物馆中的一枚流芳瑰宝。
进入21世纪，由于充足的赞助支持，乐团异军突起，明星云集，乐团驻扎的巴塞尔市音乐厅，更是被一代指挥帝王卡拉扬奉为“有生以来所见最优秀的演出场所”。作为全欧洲最富有的交响乐团之一，其乐手收入甚至可比肩著名的柏林爱乐乐团，当今最富盛名的长笛演奏家艾曼纽•帕胡德就曾供职于此。除此之外，乐团还首演了多部重要的20世纪音乐作品，如贝拉•巴托克、阿瑟•奥涅格、波胡斯拉夫•马迪努等，为现代音乐的推广做出了重要贡献。
继2004年、2010年成功访华后，2015年春季巴塞尔交响乐团再度与吴氏策划牵手，在京、沪两地为观众演绎包括莫扎特《G大调第32号交响曲》、斯特拉文斯基的《火鸟》和贝多芬的《第三钢琴协奏曲》等经典作品。
Basel Symphony Orchestra
The Basel Symphony Orchestra is one of the oldest and most important orchestras in Switzerland. It is rooted in the north-west of Switzerland and at the same time enjoys a more than regional as well as international radiance. The Basel Symphony Orchestra is always again demonstrating anew its excellent quality, whether it be in its own concert tiers, in the Theater Basel or in guest concerts at home or abroad. Since 2009, the principal conductor has been the renowned American conductor and pianist Dennis Russell Davies.
Among the conductors with whom the Basel Symphony Orchestra has been or is closely bound are to be found names such as Mario Venzago, Valery Gergiev or Pierre Boulez, as well as Nello Santi, Otto Klemperer, Horst Stein, Armin Jordan, Walter Weller, Gary Bertini, Antal Dorati, Wilhelm Furtwängler, Gustav Mahler, Felix Weingartner or Johannes Brahms. The Basel Symphony Orchestra has had world premieres for a whole range of the most important works of the twentieth century, among others those of Béla Bartók, Arthur Honegger and Bohuslav Martinu.
Numerous CD productions, some of which received international acclaim and awards, give record of the orchestra’s work. Since a few years ago the Basel Symphony Orchestra has been demonstrating an increasing international presence. In 2010, for example, the orchestra toured around China. It has also played two much accredited for concerts in St. Petersburg and Moscow in fall 2012 and has recently toured around England in spring 2014.
丹尼斯•拉塞尔•戴维斯，指挥
现年70岁丹尼斯•罗素•戴维斯是当今美国指挥家中的代表人物，曾与詹姆斯•列文一道被视为最有前途美利坚指挥新星。从上世纪70年代末，戴维斯便锋芒尽显，在德国拜罗伊特歌剧节成功执棒瓦格纳歌剧《漂泊的荷兰人》，成为继洛林•马泽尔后第二位这一歌剧圣地亮相的美国指挥家。
在他完成美国圣保罗室内乐团和美国作曲家交响乐团音乐总监的任期后，他移居欧洲，此后他长期活跃在欧洲古典音乐的心脏地带。他在80年代担任斯图加特国立歌剧院音乐总监，又兼任波恩歌剧院以及贝多芬国际音乐节音乐总监、斯图加特室内乐团首席指挥职务，90年代起，戴维斯移师奥地利，执棒著名的维也纳广播交响乐团，并于1997年被萨尔兹堡莫扎特音乐学院聘请担任指挥教授。2002年，戴维斯成为了林茨布鲁克纳管弦乐团的首席指挥和林茨州立剧院的歌剧总监。丹尼斯•罗素•戴维斯自2009-2010演出季开始担任巴塞尔交响乐团首席指挥。
至今为止，戴维斯大师已与美国“五大”交响乐团悉数进行过合作，并在莱比锡布商大厦乐团、罗马圣切契里亚乐团、米兰斯卡拉爱乐乐团、慕尼黑爱乐乐团、柏林爱乐乐团、阿姆斯特丹皇家音乐厅管弦乐团等留下足迹。除此之外，他还曾在萨尔茨堡音乐节、纽约林肯中心音乐节、休斯顿大歌剧院、汉堡国立歌剧院、巴伐利亚国立歌剧院、芝加哥抒情歌剧院、纽约大都会歌剧院、巴黎国家歌剧院执导过歌剧演出。
丹尼斯•罗素•戴维斯1944年生于俄亥俄州的托莱多，曾在纽约茱莉亚音乐学院进修钢琴与指挥专业。他现为美国人文与科学院的院士。
Dennis Russell Davies, Conductor
Dennis Russell Davies’ activities as an opera and concert conductor, and as a pianist and chamber musician, are characterized by an extensive repertoire from Baroque to modern music. Widely considered to be one of the most innovative conductors in the classical music world, Dennis Russell Davies has successfully challenged and inspired audiences on both sides of the Atlantic. He is noted for his exciting and well-structured concert programmes and for close working relationships with many composers, such as William Bolcom, John Cage, Manfred Trojahn, Philip Glass, Heinz Winbeck, Hans Werner Henze etc.
After first appointments as Musical Director of the Saint Paul Chamber Orchestra and Chief Conductor of the American Composers Orchestra in New York, Davies moved to Europe. He held positions as Music Director of the Staatsoper Stuttgart, Chief Conductor of the Beethovenhalle Orchestra and Stuttgart Chamber Orchestra, Music Director of the Bonn Opera and the International Beethoven Festival. In Austria, he was appointed Chief Conductor of the Vienna Radio Symphony Orchestra and entrusted with a conducting professorship at the Salzburg Mozarteum in 1997. In 2002 Davies became Chief Conductor of the Bruckner Orchestra Linz as well as Opera Director at the Landestheater Linz. Since August 2009 he assumed responsibility as Chief Conductor of the Basel Symphony Orchestra, Switzerland.
In Europe he has worked with Gewandhausorchester Leipzig, Orchestra Filarmonica della Scala di Milano, Munich and Berlin Philharmonic orchestras, Concertgebouw Amsterdam and so on. After his début at the Bayreuth Festival 1978-1980 his operatic work has included conducting at Salzburg Festival, Lincoln Center Festival New York, Houston Grand Opera, Hamburg and the Bavarian State Operas, Lyric Opera of Chicago, Metropolitan Opera New York and Opéra National de Paris.
Dennis Russell Davies was born in Toledo (Ohio) in 1944 and studied piano and conducting at the Juilliard School, New York. He is a Fellow of the American Academy of Arts and Sciences.
法佐•赛依，钢琴
现年45岁的土耳其钢琴家、作曲家法佐•赛依无疑是当今国际音乐舞台上一个神奇的存在，他以不羁的艺术性格，热力四射的表演风范，高超的演奏技巧，博得了世界各国乐迷的喜爱。
1970年，法佐•赛依出生在土耳其安卡拉。他4岁开始学习钢琴，11岁是并且在安卡拉国家音乐学院被作为“高天赋学生培养计划”成员被重点栽培。1987年，法佐•赛依毕业于钢琴及指挥双专业。此后，法佐•赛依在德国政府颁布的奖学金的支持下，在杜塞尔多夫音乐学院继续深造，于1991年以协奏曲独奏音乐家的身份顺利毕业。1992年，在柏林音乐表演艺术学院担任钢琴及室内乐讲师。1994年赢得“欧洲青年音乐演奏家大奖”之后，又在1995年的“纽约世界比赛”中赢得第一名，他的职业生涯因此迈出一大步。
赛依身兼作曲家、钢琴家、作家等多重身份，重现了肖邦、李斯特等钢琴家“黄金时代”大师的艺术之路，将个人创作、即兴发挥、炫技演奏等传统演绎方式熔于一炉，在当今国际乐坛可谓独树一帜，无人能望其项背。至今，他录制的巴赫、莫扎特、贝多芬、格什温和斯特拉文斯基等作曲家的唱片获得乐评人的高度好评和多个奖项，其中包括三次德国古典回声大奖。自2003年以来，赛依成为Naive唱片公司的专属艺术家，并在多特蒙德音乐厅、柏林音乐厅、石勒苏益格-荷尔斯泰因音乐节等担任常驻演奏家。
2014年, 赛依亮相北京国家大剧院国际钢琴家系列演出，其演奏再次引起轰动。此次，他将联袂巴塞尔交响乐团，为中国乐迷献上乐圣贝多芬的《第三钢琴协奏曲》这一德奥经典著作。
Fazil Say, Pianist
Fazil Say wrote his first piece – a piano sonata – as early as 1984, at the age of fourteen, when he was a student at the Conservatory of his home town Ankara. It was followed, in this early phase of his development, by several chamber works without an opus number, including Schwarze Hymnen for violin and piano and a guitar concerto. He subsequently designated as his opus 1 one of the works that he had played in the concert that won him the Young Concert Artists Auditions in New York: the Four Dances of Nasreddin Hodja. This work already displays in essence the significant features of his personal style: a rhapsodic, fantasia-like basic structure; a variable rhythm, often dance-like, though formed through syncopation; a continuous, vital driving pulse; and a wealth of melodic ideas that may often be traced back to themes from the folk music of Turkey and its neighbours. In these respects, Fazil Say stands to some extent in the tradition of composers like Béla Bartók, George Enescu, and György Ligeti, who also drew on the rich musical folklore of their countries. He attracted international attention with the piano piece Black Earth (1997), in which he employs techniques familiar to us from John Cage and his works for prepared piano. After this, Say increasingly turned to the large orchestral forms. Taking his inspiration from the poetry (and the biographies) of the writers Nâzim Hikmet and Metin Altiok, he composed works for soloists, chorus and orchestra which, especially in the case of the oratorio Nâzim, clearly take up the tradition of composers such as Carl Orff.
In addition to the modern European instrumentarium, Say also makes frequent and deliberate use in these compositions of instruments from his native Turkey, including kudüm and darbuka drums and the ney reed flute. This gives the music a colouring that sets it apart from many comparable creations in this genre. In the year 2007 he aroused international interest with his Violin Concerto 1001 Nights in the Harem, which is based on the celebrated tales of the same name, but deals specifically with the fate of seven women from a harem. Since its world premiere by Patricia Kopatchinskaja, the piece has already received further performances in many international concert halls. Fazil Say scored a further great success with his first symphony, the Istanbul Symphony, premiered in 2010 at the conclusion of his five-year residency at the Konzerthaus Dortmund. Jointly commissioned by the WDR and the Konzerthaus Dortmund in the framework of Ruhr.2010, the work constitutes a vibrant and poetic tribute to the metropolis on the Bosporus and its millions of inhabitants. The same year saw the composition, among other pieces, of his Divorce String Quartet (based on atonal principles), and commissioned works like the Piano Concerto Nirvana Burning for the Salzburg Festival and a Trumpet Concerto for the Mecklenburg-Vorpommern Festival, premiered by Gábor Boldoczki.
In response to a commission from the 2011 Schleswig-Holstein Musik Festival, Say has also written a Clarinet Concerto for Sabine Meyer that refers to the life and work of the Persian poet Omar Khayyam. Fazil Say’s works are issued worldwide by the renowned music publishers Schott of Mainz.
节目单
曲目
Program
第32号G大调交响曲，作品318号--莫扎特
Symphony No. 32 in G major, KV 318--W.A. Mozart
c小调第三钢琴协奏曲，作品37号--贝多芬
Piano Concerto No.3 in C minor, Op. 37--L.v. Beethoven
中场休息
– Intermission –
歌墟--陈怡
Ge Xu Antiphony--Chen Yi
火鸟组曲--斯特拉文斯基
The Firebird (Suite, 1919)--I. Strawinsky
*曲目以现场演出为准*
