2016中法文化之春 阿维尼翁戏剧节特约《少女,魔鬼和磨坊》

2016年5月20日 至 2016年5月21日 ，2016中法文化之春 阿维尼翁戏剧节特约《少女,魔鬼和磨坊》在 广州大剧院 精彩上演。

基本信息

演出时间：2016.05.20 - 2016.05.21

演出场馆：广州大剧院-歌剧厅

演出时长：约50分钟

入场时间：请观众提前半小时入场

演出详情

温馨提示：为保障观众的消费权益，购买池座（一层）、二层、三层门票的观众仅能凭票进入对应楼层，对号入座，严禁跨层入场。请观众提前半小时入场，每人一券，儿童全票，1.2米以下儿童谢绝进场。

* 建议观演儿童年龄：七岁及以上

* 全剧法语演出、演唱，配中文字幕

一个与魔鬼的黑色契约，一个被作为赌注的善良女孩，一个信守诺言不离不弃的国王，一次充满奇遇与幸运的旅程……真实的世界不总是永远和美安宁，但只要心存善意，守护天使就会出现。

改编自格林童话《没有手的女孩》，来自法国的舞台剧《少女，魔鬼和磨坊》由阿维尼翁IN戏剧节的现任执行总监、欧洲艺坛成名已久的剧场导演、演員、作家欧利维耶•皮（Olivier Py）所创作。

在《少女，魔鬼和磨坊》中，不仅有美丽、希望和忠诚，面对一些难以言说，却一直让孩子心存疑惑的问题，那些关于暴力、危险和孤独的命题，作者并不回避。要如何向孩子阐释美好的另一面呢？欧利维耶•皮不主张低幼化处理，把故事好好的给孩子讲清楚才是他对于“剧场真实性”的追求。他通过清晰的故事叙述、在演出中融入大段动听的音乐及歌剧般的唱段，带孩子踏上一次优美又奇幻的启蒙之旅。

《少女，魔鬼和磨坊》故事讲述一个穷困的磨坊主，为了金银财宝，与魔鬼立下契约，将女儿交给魔鬼。女孩借助上帝的力量保护自己，让魔鬼无法靠近，魔鬼只好胁迫磨坊主砍掉了女孩的双手，即便如此，女孩依然逃走了，开始了独自一人的旅程。旅程中遇到了国王，他爱上了女孩，娶她为妻，并为她打造了一双银子做的手。后来国王因战争而离家，恶魔再次出现，从中挑拨，设计想杀害女孩，女孩再次逃脱，独自逃到森林里生活。因为虔诚与善良，上帝派了天使一直帮助她，女孩的双手重新长了出来，也顺利地再次与国王相见。

The Girl, the Devil and the Mill

Olivier Py

Performance Time: 2016/5/20-21 Fri. 8:00 pm, Sat. 3:00 pm

Performance Venue: Experimental Theatre, Guangzhou Opera House

Price: TBD

* Performance duration 50 mins

* Recommended age: 7+

* Performed and sang in French with Chinese subtitles

The brothers Jacob and Wilhelm Grimm spent years gathering the tales and legends of northern Europe, collecting several dozen folk tales and countless different versions, even sometimes changing the story so as to spare bourgeois sensibilities. Olivier Py found in their work the material for plays that would allow him to show young children the mysteries and conventions of “real” theatre, without ever talking down to them.

The Girl, the Devil and the Mill is based on The Girl Without Hands, keeping the same basic narrative structure. It is the story of a naïve father who makes a deal with the devil without realising that it is his daughter he is sacrificing, and who ends up cutting both her hands out of fear of the devil’s revenge. But the young girl flees and begins a journey fraught with perils and chance encounters, with a gardener or with a prince, but also with sleep and waiting. All those ordeals, all those encounters, all those necessary steps before possibly finding happiness allow Olivier Py to bring up numerous questions children often ask themselves without daring to talk about them: questions about death, the devil, love, war, memory, about the relationship between a child and his or her parents… An initiation journey that is never sentimental, The Girl, the Devil and the Mill is also a musical that speaks to the child in every one of us.

Very simple by design, it oscillates between naivety and gravity, and ends with a ray of hope.